Embodied Politics in Chandralekha’s Dance: Exploring the Intersections of Body,Energy and Resistance
DOI:
https://doi.org/10.53007/SJGC.2024.V9.I2.220Keywords:
Chandralekha, Indian dance, feminist performativity, body politics, social critiqueAbstract
Chandralekha, a pioneering figure in contemporary Indian dance, revolutionised the art form through her radical departure from traditional conventions. Her work challenged societal norms, empowered women, and explored the human body's complexities. This paper examines Chandralekha's artistic journey, focusing on exploring the body as a medium of energy and resistance. Drawing on feminist performativity theory, the paper analyses how Chandralekha's choreography subverted traditional gender performances and empowered women to reclaim their agency. By rejecting conventional elements and embracing a more
body-centric approach, Chandralekha challenged patriarchal structures and created a space for women to express themselves authentically. Furthermore, the paper explores Chandralekha's use of dance as a tool for social critique. Her work addressed issues such as colonialism, gender inequality, and social injustice, challenging audiences to reflect on their beliefs and values.
Through her choreography, Chandralekha offered a powerful vision of resistance and empowerment, inspiring dancers and scholars worldwide. By examining Chandralekha's work through a feminist performative lens, this paper highlights her significant contributions to contemporary Indian dance and her enduring impact on the field.
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