Architecture and Cultural Identity in Indian Cinema: A Case Study of 2 States

Abstract

This paper explores the architectural representation of cultural and regional identities as portrayed in the film "2 States." Through a detailed visual and contextual analysis of seven key locations—the IIM Ahmedabad campus, the protagonists’ residential spaces, their workplaces, and their wedding venues —the study examines how architectural styles embody the socio-cultural dichotomies between North and South India. Drawing from concepts of modernism and brutalism alongside traditional Dravidian temple architecture, the research investigates the spatial narratives that articulate identity, tradition, and modernity within cinematic space. Employing qualitative methods, including secondary literature review and critical visual analysis, the paper elucidates how architecture functions as both a backdrop and a narrative device, reflecting and reinforcing cultural contrasts. The findings underscore the role of architecture in cinematic storytelling, revealing an intricate dialogue between built form and cultural expression in contemporary Indian cinema.