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Abstract: Political solidarity confounds our political theory when the latter is grounded in economies of interest, cultures of responsibility or instruments of rights. The gratuitous materialisation of solidarity might be rethought from the perspective of affect if by the latter…
Abstract : The nearly 170 years old modern proscenium theatre in Marathi language is considered to be an important cultural identity of the progressive Marathi middle class. Its text- intensive nature renders importance to the playwright who shapes theatrical social…
Abstract: Widely known among Indian theatre forms for its historical inclusion of female performers, the Kutiyattam theatre complex of Kerala encompasses three related performance forms – Kutiyattam, the enactment of Sanskrit drama with multiple actors and actresses; Chakyar Koothu, men’s…
Kalanidhi Narayanan (b. 1928) is recognised with the highest of national and artistic awards for her recovery of methods of abhinaya, particularly, padam and javali forms that celebrate human love. She was ferreted out from retirement in 1973 by dance…
Abstract: Interrogation of gendered representations proves particularly salient in Ramlila, (literally “Rama’s play”) which is a performance of the Ramayana epic in a series of scenes that include song, narration, recital and dialogue. This paper will look at gender in…
Abstract: “Nachni” women from the eastern part of India, are popularly known in parts of Bengal, Bihar and Jharkhand as marginal performers who earn their living through a performing partnership with the Rasik (the male partner) while remaining in a…
Abstract : Women artists have performed in the Tamil theatre genre known as Special Drama since the early twentieth century, though they have been highly stigmatized for their participation. Based on ethnographic fieldwork with Special Drama artists in the early…
Abstract: Yael Farber takes a real episode of brutal domination and power, hatred and violence, horror and bloodshed, shame and anguish, and creates a stage worthy award winning production that is touring the world. Responding to the infamous gang rape…
Abstract: This article examines the play Purdah (1993) by the playwright Ismail Mahomed, a Pakistani writer and director born in Johannesburg (29 May 1959) who has been active on the theatre scene in South Africa for the last thirty years.…
Abstract: With the words quoted below, Gadis Arivia recalled the start of her own and other women’s feminist activism in Indonesia two decades ago, opening an interview on August 5, 2016 with Margot Badran on women’s activism broadly and on…